Brazil Classics 3 - Forró Etc. - David Byrne - 1991 Brazil LP
- Luiz Gonzaga - Danado De Bo.mp3
- Anastácia - O Succeso Da Zefinha.mp3
- Nando Cordel & Amelinha - É De Dar Água Na Boca.mp3
- Luiz Gonzaga & Elba Ramalho - Sanfoninha Choradeira.mp3
- Marinalva Tarde - Nordestina.mp3
- Jorge De Altinho & Dominguinhos - Bom Demais.mp3
- João Do Vale - Estrela Miúda.mp3
- Gal Costa - Festa Do Interior.mp3
Various – Brazil Classics 3
Luaka Bop – 7599-26323-1
Vinyl, LP, Compilation
A1 Luiz Gonzaga - O Fole Roncou 2:45
A2 Gal Costa - Festa Do Interior 3:14
A3 Jackson Do Pandeiro - Tum-Tum-Tum 2:33
A4 Luiz Gonzaga - Danado De Bom 2:43
A5 Dominguinhos - Querubim 2:48
A6 Anastácia - O Succeso Da Zefinha 2:07
A7 Nando Cordel & Amelinha - É De Dar Água Na Boca 3:59
A8 João Do Vale - Estrela Miúda
B1 Dominguinhos - Vou Com Vocé 2:04A8
B2 Gonzaguinha - Asa Branca 3:22
B3 Clemilda Recordação - De Vaqueiro 2:37
B4 Jorge De Altinho & Dominguinhos - Bom Demais 3:22
B5 Marinalva Tarde Nordestina
B6 Genival Lacerda - Aniversário Da Seu Vava 3:26
B7 Trio Nordestino - Rejeição 2:09
B8 Luiz Gonzaga & Elba Ramalho - Sanfoninha Choradeira 2:59
Distributed By – Warner Bros. Records Inc.
Manufactured By – Warner Bros. Records Inc.
Phonographic Copyright (p) – Sire Records Company
Phonographic Copyright (p) – WEA International Inc.
Copyright (c) – Sire Records Company
Made By – WEA Musik GmbH
Compiled By – David Byrne
[on back cover]
music of the brazilian northeast
This is party music. A mixture of ska with polka in overdrive!
It's party music from the "rub a daughter" territory, from people
who've been through hard times, who live in a parched,
unforgiving area of Brazil, the Northeast.
There's gonna be forró tonight
and in this groove we'll stay
for all to dance and feel all right
until the brak of day
Luaka Bop, Inc., manufactured and distributed by Warner Bros. Records Inc.
a Time Warner Company
© ℗ 1991 Sire Records Company
Made in Germany
℗ 1991 Sire Records Company for the U.S. & WEA
International Inc. for the world outside of the U.S.
Made in Germany by WEA Musik GmbH
Barcode and Other Identifiers
Barcode (Printed): 0 7599-26323-1 7
Rights Society (Boxed): GEMA / BIEM
Label Code: LC 3228
Price Code: WE 391
Price Code (Circled): U
Matrix / Runout (Side A): R/S Alsdorf 759 926323-1-A
Matrix / Runout (Side B): R/S Alsdorf 759 926323-1-B
" I heard this music when I visited Salvador, Bahia for the first time in 1986(?). Forro was not a sound I expected to hear. It sounded like a mixture of Ska with Polka! The closest equivalent I knew of was Zydeco, the music made familiar by the late great Clifton Chenier and many others. In Salvador RADIO ITAPARICA! had a great morning show which would sometimes play, without interruption, a whole string of what I later found out were Forró hybrids—Forró with brass, Forró with funk bass lines, Forró with country fiddles, and, of course, electrified Forró, or Fo-rock, as it is called. I taped as much as I could off the radio, and later bought some records and tapes. I only touched the surface, the well is deep.
This is party music. It’s party music from people who’ve been through hard times, who live in a parched, unforgiving area of Brazil, the Northeast. They love their country, their land, probably more than they love Brazil, which has not always treated them well. The people who make and dance to this music are most often brown. Like their earth. It is the brown sound. Chão. The festas are intense and the bands would play all night, when one band got tired, they would take a nap, or drink, or eat, and another band would take over. Until the sun came up.
As pictured on their record covers, many forro stars dress in spectacular costumes based on the outfits of the cowboys and outlaws of the Brazilian Northeast. I guess it could be compared to the North American country and western gear. The stage costumes of Hank Williams (Sr.) and now Dwight Yokum convey a similar spirit. The amazing hats that Luiz Gonzaga and others wear have their source in the Brazilian cowboy work hat, although the stage hats have evolved and mutated into something wonderfully new that refers to the originals, but says so much more. Symbolic of their humble origins, but now elevated to a more theatrical and poetic level.
The songs celebrate their land, parties and festas, lost love, and the hard life of the Brazilian cowboys. Themes similar to Zydeco and other musics the world over, but here with a peculiar Northeastern slant. A humor and wink that cuts through the bullshit."