Cannonball Adderley - Somethin' Else - 1958 Modal Jazz - Analogue Prod Audiophile Sealed 200 Grm 2LP
Cannonball Adderley - Somethin' Else
Label: Analogue Productions
Series: The Blue Note Reissues
2LP Record is NEW Sealed ( pic is previous copy)
Format: 2 × Vinyl, LP, 45 RPM, Album, Limited Edition, Reissue, Remastered
Style: Hard Bop
A Autumn Leaves
B Love For Sale
C Somethin' Else
D1 One For The Daddy-O
D2 Dancing In The Dark
Mastered At AcousTech Mastering
Manufactured By EMI Music Special Markets
Alto Saxophone Cannonball Adderley
Bass Sam Jones
Cover Reid Miles
Drums Art Blakey
Engineer Rudy Van Gelder
Liner Notes Leonard Feather
Photography By Francis Wolff
Piano Hank Jones
Recorded By Rudy Van Gelder
Remastered By Kevin Gray, Steve Hoffman
Trumpet Miles Davis
Re-mastering at AcousTech of 1958 Blue Note BST-81595 release on numbered, limited edition vinyl. Stereo.
Part of The Blue Note Reissues series.
Numbered, limited edition.
Those who prefer the Analogue Productions prefer what they described as "more natural timbre" in the instruments, more like real instruments in the room, in the Analogue Productions. The Analogue Productions sounds more subtle and nuanced.
Cut in 1958 for the Blue Note Lable, Somethin' Else is one of the all time great jazz albums. The personnel features Cannonball on alto, Miles Davis on Trumpet, Hank Jones on piano, Sam Jones on bass, and the great Art Blakey on drums. It may say Cannonball Adderly on the album cover, and have Miles Davis listed as a sideman, but this has the feel of a Miles Davis album all the way. The selection of material and the musician's laid back approach, tempered by the contrast of Mile's simmering mute with an expressive firey second horn, here the exuberant Adderley, are trademarks from this era of Davis' career. Regardless of who led the session, it is one any fan of jazz simply must have.
It is one of those rare albums that is immediately accessable, and you can tell you will be listening to repeatedly from the first note. Every track's performance is a highlight, but Cannonball's playing is particularly inspired, especially his soulful blues soaked soloing on Dancing in the dark, and boppish flight on One For Daddy-O. Miles is dramatic, soulful, vulnerable, and sultry all at once. His muted playing on the first two tracks is simply sumptuous, with his open horn solo on One For Daddy-O and his "call and response" exchange with Adderley at the end of the title track being truly inspired.
Hank Jones contributes a flawless hard swinging piano. Taking every note he is given and making it count, Hank makes his accompaniment as well as his solos sound as if he is playing them the only way they possibly could be. Art Blakey and the underrated Sam Jones are water tight in support, with Blakey unusually restrained throughout the album, his only solo space on the album's final track. At the end of One For Daddy-O we hear a puckish Miles ask producer Alfred Lion, "Is that what you wanted, Alfred?", and then some I'll wager. This is an album that will appeal to the jazz novice and the aficionado alike, if you do not have it, buy it, you won't be dissappointed.
Cannonball Adderley - Somethin' Else
I like how the solos are stretched out; Miles sounds more relaxed than in other venues, and really challenges his horn; Cannon does pretty much the same; they both still maintain nice sound quality on the horns, along with great imagination. Nice rhythm section to complement the horn players
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Cannonball Adderley - Autumn Leaves
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Cannonball Adderley - Dancing in the Dark
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|Format||2LP, 180 Gram|