Juice WRLD ‎– Goodbye & Good Riddance -2018 Hip Hop - Europe Issue Sealed 180 Grm LP

In stock

Juice WRLD ‎– Goodbye & Good Riddance

Interscope Records ‎– B148036-01, Grade A Productions ‎– B0028719-01
Vinyl, LP, Album, Stereo
30 Nov 2018
Hip Hop
Trap, Pop Rap


A1 Intro
Composed By – Christian Lester
Producer – Don Rob
A2 All Girls Are The Same
A3 Lucid Dreams
A4 Lean Wit Me
A5 Wasted
Featuring – Lil Uzi Vert
Producer – CBMIX
A6 I'm Still
A7 Betrayal (Skit)
A8 Candles
A9 Scared of Love


B1 Used To
Co-producer – Side Piece
Composed By – Jared Higgins, Nick Mira
Producer – Nick Mira
B2 Karma (Skit)
B3 Hurt Me
Co-producer – Side Piece
B4 Black & White
B5 Long Gone
B6 End Of The Road
B7 I'll Be Fine



Written By – Sting (tracks: 3)
℗© 2018 Grade A Productions LLC, distributed by Interscope Records.
Universal International Music B.V Gerrit Van Der VeenLan 4, 3743, Baarn, Netherlands. LC 06406. 00602567787136


( pitchfork) "It’s possible Higgins has enjoyed such a rapid climb due to the familiarity of the emo-rap he trades in. But that same familiarity can nag at the ear and force comparisons. He can sound warbly and frustrated—one part Lil Yachty and one part Post Malone—or depressed and histrionic, like Lil Peep and nothing,nowhere. To be sure, Higgins has latched onto this wave of emo-rap in both sound and lyrics, and Interscope has invested in his timely recipe of weepy trap because he’s such a convincing aggregate of the sound. If there’s an urgency to Goodbye & Good Riddance it’s not so much what is inside the album, but the timing of its delivery.

Goodbye & Good Riddance is an adolescent breakup record, and it’s accordingly cathartic, petty, and clumsy in its emotional processing. It’s as hard to like Higgins as it is easy to pity him. The album cover signals some of this schtick with a campy anime drawing of Higgins doing a burnout, sticking his middle finger out the window, and literally leaving a woman in his dust. It’s a small-minded, juvenile gesture that fits hand-in-hand with that lead single and the general sulkiness of the rest of the album. Higgins sings at a persistent “you” throughout Goodbye & Good Riddance, but he’s clearly self-obsessed in a moment of torment, paralyzed by heartbreak but not to the point that he can’t crawl in front of a mirror to glance at himself fall apart. For Higgins, heartbreak is performative and despondency is chic.

Thankfully, there’s an emotional immediacy to the music and Higgins is doing more than just spinning his wheels. He sings often in weepy groans and emo snarls that match the blunt rawness of his lyrics, even if he’s in the habit of telling instead of showing his feelings (“Who am I kiddin’?/All this jealousy and agony that I sit in”). He also often grimaces through vapid clunkers like “I take prescriptions to make me feel a-okay/I know it's all in my head.” These aren’t lyrics that can be delivered with tact, and Higgins hams it up at every turn. What he lacks in narrative, he makes up for in moody hooks, to the point that the nursery-rhyme simplicity of his singsong couplets can wash away the groaning melodrama of a line like, “I’m on the drugs way too much” and needle it into your skull. The tragic upshot of the album—love sucks, drugs help—is as productively communicated by song titles like “I”ll Be Fine,” “Scared of Love,” and “Hurt Me” as the lyrics inside of them."

More Information
Condition New
Format LP
Label Interscope
Color Black