Little Milton - So Blue - Poor Man - DJ Copy - Funk Blues - Northern Soul - 7 - 45
Label: Checker
Catalog#:1221
Format: Vinyl, 7"
Condition: Vinyl is VG+ to VG++ some light scuffs (listen to our copy) Label has a few pen marks (see pic)
Label reads "DJ COPY"
Country: US issue
Released: 1969
Genre:Funk / Soul
Tracklist
A Poor Man
B So Blue (Without You)
CLASSIC BLUES MAN - TOOK BLUES TO THE SOUL LEVEL
Little Milton - So Blue (Without You) - Northern Soul
So good, so underated. Milton sure did knock some great tunes out.
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Condition | Used |
---|---|
Format | 12LP |
Label | Checker |
- Shakira – Las Mujeres Ya No Lloran - 2024 Latin Electro Pop - Diamond Edition Clear Vinyl - Sealed 2LPCA$69.95
Shakira – Las Mujeres Ya No Lloran
Label: Sony Music Latin – 19658881001
Format: 2 x Vinyl, LP, Album, Diamond Edition, Clear
Sealed
Gatefold Cover
Barcode (Text): 1 96588 81001 5
Country: US
Released: Mar 22, 2024
Genre: Electronic, Latin, Funk / Soul, Pop
Style: Reggaeton, Bachata, Afrobeat
Tracklist
A1 Shakira X Cardi B– Puntería
A2 Shakira X Bizarrap– La Fuerte
A3 Shakira– Tiempo Sin Verte
A4 Shakira X Rauw Alejandro– Cohete
B1 Shakira X Grupo Frontera– (Entre Paréntesis)
B2 Shakira– Cómo Dónde Y Cuándo
B3 Shakira– Nassau
B4 Shakira– Última
C1 Shakira X Rauw Alejandro– Te Felicito
C2 Shakira X Ozuna– Monotonía
C3 Shakira– Bzrp Music Sessions, Vol. 53
C4 Shakira X Karol G– TQG
D1 Shakira X Milan + Sasha– Acróstico
D2 Shakira X Manuel Turizo– Copa Vacía
D3 Shakira X Fuerza Régida– El Jefe
D4 Shakira– Bzrp Music Sessions, Vol. 53 (Tiësto Remix)
""Las Mujeres Ya No Lloran obsesses over the demise of Shakira’s 11-year relationship with Gerard Piqué, the former Spanish soccer player she now calls “Voldemort.” The album title originates from a lyric in the standout “Bzrp Music Sessions, Vol.53,” the diss track originally recorded for Argentine DJ Bizarrap’s popular video series, and Shakira’s first all-Spanish song to reach the Hot 100. More than a year later, her digs still sting, from belittling her ex as a rookie to comparing his new girlfriend to a Twingo. Even when she’s not saying Piqué’s name, she kind of is: Imaginative, shady wordplay like “Yo solo hago música, perdón que te salpique” (roughly, “I only make music, sorry if it bothers you”) turned the song into a viral sensation. Then there’s the Kill Bill moment when Shakira reveals her intentions for this track, and perhaps to some extent, this album: “Esto es pa’ que te mortifique’/Mastique’ y trague’, trague’ y mastique’” (“This is for you to be mortified/To chew and swallow, swallow and chew”). Beneath her visceral rage is the heartbroken lover who simply wants to hurt her ex like he hurt her, to guarantee this record follows him forever.The saga begins as a fantasy on flirty nu-disco opener “Puntería,” with Cardi B, where women are goddesses and men are horny centaurs with washboard abs. Bizarrap appears again on the squelchy electro-pop track “La Fuerte,” which pulses with 2 a.m. club heat as a post-breakup Shaki seeks refuge on the dancefloor. But as the chorus swells and the tempo quickens, it sounds as if she’s on the brink of calling her ex. “Dime dónde, cuándo y cómo,” she repeats (“Tell me where, when, and how”), her voice breaking into the high-pitched plea of romantic anguish that first defined Shakira’s music—good thing she deleted his number.
At its core, Las Mujeres Ya No Lloran is a pop album for a mainstream audience, a colorful concoction of EDM-infused dance tracks, generic disco beats, and the occasional rap that’s practically designed to be edited into glossy TikToks. Under its plasticky umbrella, Shakira also flexes her chameleonic powers, fusing Afrobeats with Dominican bachata, ska with northern cumbia, and electropop with reggaetón. Angsty alt-rock songs like “Tiempo Sin Verte” and “Cómo Dónde y Cuándo” harken back to her Alanis Morissette-esque 1998 album ¿Dónde Están los Ladrones? The latter song has a scrappy, start-stop guitar riff reminiscent of “Where Is My Mind?,” recalling her affinity for Aerosmith and the Cure." (Pitchfork)
Learn More - Stevie Ray Vaughan & Friends – Solos, Sessions & Encores - 2007 Blues Rock - Numbered Blue Vinyl - Sealed 2LPCA$119.95
Stevie Ray Vaughan & Friends – Solos, Sessions & Encores
Label: Epic – MOVLP3537, Legacy – MOVLP3537, Music On Vinyl – MOVLP3537
Format: 2 x Vinyl, LP, Compilation, Limited Edition, Numbered, Reissue, Blue, 180g
Sealed
Available on vinyl for the first time.
Limited edition of 2500 individually numbered copies on translucent blue coloured vinyl.
Includes printed insert.
Country: Europe
Released: Dec 8, 2023
Genre: Rock, Blues
Style: Electric Blues, Pop Rock, Texas Blues
Tracklist
A1 Stevie Ray Vaughan With Albert King, B.B. King And Paul Butterfield– The Sky Is Crying [Live]
A2 Marcia Ball– Soulful Dress
A3 Johnny Copeland– Don't Stop By The Creek, Son
A4 A.C. Reed– Miami Strut
B1 Bill Carter– Na-Na-Ne-Na-Nay
B2 Stevie Ray Vaughan With Jeff Beck– Going Down [Live]
B3 Stevie Ray Vaughan With Lonnie Mack– Oreo Cookie Blues [Live]
C1 Stevie Ray Vaughan With Katie Webster– On The Run [Live]
C2 Stevie Ray Vaughan With Albert Collins– Albert's Shuffle [Live]
C3 Stevie Ray Vaughan With Jimmie Vaughan– Change It [Live]
D1 Lou Ann Barton– You Can Have My Husband
D2 Stevie Ray Vaughan With Bonnie Raitt– Texas Flood [Live]
D3 Stevie Ray Vaughan With Dick Dale– Pipeline
D4 David Bowie– Let's Dance"Every track is a gem. Vaughan's vocals and guitar weave through each selection with a natural blues intuition. This "common language enabled him to converse musically with a wide array of artists, entertainers and performers. His guitar colors David Bowie's hot rock interpretation of "Let's Dance with skyscraper-leaping flames. "Pipeline features Vaughan in an instrumental duet with original surf guitar veteran Dick Dale. Bonnie Raitt adds a pure guitar tone to "Texas Flood, Lou Ann Barton sings "You Can Have My Husband with an Old School authority, and Jimmie Vaughan joins his brother on "Change It, from a Saturday Night Live television performance.
Learn More
Saxophonist A.C. Reed pairs with Vaughan for a rollicking instrumental on "Miami Strut. Johnny Copeland delivers a true-blue message on "Don't Stop by the Creek, Son, which features strong performances from two guitars, vocal, piano, and more. Marcia Ball's interpretation of "Soulful Dress belies the Texas roots that built both her career and Vaughan's. A summit meeting of Albert King, B.B. King, Paul Butterfield and "rising star Stevie Ray Vaughan opens the album with a blast of the blues on "The Sky is Crying."" (AllAboutJazz review) - Donovan Woods – The Other Way - 2019 Canada Indie Folk Country Rock - Sealed LPCA$48.95
Donovan Woods – The Other Way - 2019 Canada Indie Folk Country Rock - Sealed LP
Label: Meant Well – MW0032
Format: Vinyl, LP
Sealed
Made possible with the support of Ontario Creates
Barcode (Scanned): 823675112010
Country: Canada
Released: 2019
Genre: Folk, World, & Country
Style:
Tracklist
A1 Good Lover
A2 Another Way
A3 Burn That Bridge
A4 Truck Full Of Money
A5 Our Friend Bobby
A6 I Ain’t Ever Loved No One
Featuring – Tenille Townes
B1 I Love A Little Lie
B2 Easy Street
B3 I Don’t Belong To You
B4 Read About Memory
B5 Great Escape
B6 Next Year
"These are practically brand new songs. The exquisite production was done by Todd Lombardo who also plays all the guitars and stringed instruments (acoustic, high-string, tenor, mandolin, hammered dulcimer, 12-string, classical, slide resonator). Donovan ONLY sings. It’s the same beautiful, intimate voice, of course, but even more so, which I wouldn’t have thought possible. Every word is precious and so present, and there’s so much space and freedom in the delivery. He gave Todd full freedom to re-arrange, change chords, tempos, whatever else, and what a spectacular result it is. There’s more urgency to “Another Way.”“Burn That Bridge” is a prayer, and “Truck Full of Money,” becomes an elegy. “Our Friend Bobby,” one of my favorites from Both Ways, is one of the “super-highlights” of the record. The guitars are just masterful, and the song, always an arrow straight to the soul, now makes me weep. Tenille Townes takes on the duet on “I Ain’t Ever Loved No One.” She has a completely different voice and style than Rose Cousins (on the first version), and both are great foils to Donovan. “Easy Street” is somehow even more anthemic." (Roots Music review)
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