Tokyo Police Club – Champ - 2010 Indie Rock - Red 180 Grm LP
Tokyo Police Club – Champ
Dine Alone Records – DA031
Vinyl, LP, Album, Red, 180g
14 Oct 2016
A1 Favourite Food
A2 Favourite Colour 2:38
A3 Breakneck Speed 3:44
A4 Boots Of Danger (Wait Up) 3:09
A5 Bambi 2:46
A6 End Of A Spark 3:37
B1 Hands Reversed 3:20
B2 Gone 3:05
B3 Big Difference 2:58
B4 Not Sick 2:58
Engineer [Additional Engineering] – Dean Marino, Jay Sadlowski*
Design, Art Direction – Nous Vous
Mastered By – Alan Yoshida
Mixed By – Doug Boehm, Rob Schnapf
Mixed By [Assisted By] – Chris Szczech
Photography – Tom Jackson
Producer – Rob Schnapf
Recorded By – Doug Boehm
Recorded By [Assisted By - Kingsize Soundlabs] – Zac Carper
Recorded By [Assisted By - Sunset Sound] – Chris Claypool, Clinton Welander
Songwriter [Songs By] – Monks*, Wright*, Alsop*, Hook*
Recorded at Sunset Sound Factory, Los Angeles CA and Kingsize Soundlabs, Los Angeles CA.
Mixed at Sonora Recorders, Los Angeles CA; mastered at Ocean Way, Hollywood CA.
Additional production on Favourite Food at Gigantic Studios; additional engineering on Frankenstein at Chemical Sound.
℗&© 2010 Mean Beard Recordings, under exclusive license to Dine Alone Music Inc.
Printed insert and download card included.
Repressing edition of 550.
Barcode and Other Identifiers
For a band that burst on the scene with an ecstatically received 16 minutes of music (2006’s A Lesson In Crime EP) followed in rapid fire succession by additional EPs and singles (Smith, “Your English Is Good”) and a debut album (2008’s Elephant Shell) all in under two years time, you’d think 26 months between albums would be an interminable wait. And it might well have been for Tokyo Police Club, had they not toured relentlessly in support of that first album through August of 2009—and started writing new songs virtually the second their previous record was put to bed.
So the nine month gap between the close of that tour and the June 8 release of Champ, Tokyo Police Club’s second full length album and first for the mom+pop label, has been anything but boring or unproductive. Quite the opposite in fact: The Newmarket Ontario quartet ended up happily immersing itself more fully in its craft than ever: Greg Alsop (drums), Josh Hook (guitar), David Monks (vocals, bass) and Graham Wright (keys/percussion) challenged and redefined their songwriting and performing chops and techniques from day one of pre-production, and, together with producer Rob Schnapf (Beck, Elliott Smith), ultimately created the defining record of their career to date.
By the band’s account, not a second was wasted in getting to the genesis of the material that would become Champ. “Naturally we started writing really early,” Monks recalls, particularly in the case of “Breakneck Speed,” the first peek at Champ that the band would eventually stream at http://tokyopoliceclub.com/. “’Breakneck Speed’ was written right after we finished mixing Elephant Shell. After that, writing came really gradually. Then by summer 2009 we realized we had eight or nine songs and we headed to New York to demo them and start pre-production. When we came home after that, the momentum was there and we kept writing and didn’t stop until we finished that November.”
All of which explains why numerous Champ highlights will be familiar to those who’ve caught Tokyo Police Club from dates on their last headlining tour through this year’s appearance on Coachella’s main stage, from the epic slow burn of album opener “Favourite Food” to the irresistible shuffle of “End of A Spark” to first single “Wait Up (Boots of Danger)”–whose hypnotic refrains made it onto Champ just under the wire. “Yeah that one almost didn’t make it onto the record,” says Monks. “I remember writing the chorus on the way back from demoing in New York and finishing it when we had about three weeks left. It was close.”
While fans are sure to be pleased by Champ’s familiar live staples and other tracks in the signature Tokyo Police Club vein that the Los Angeles Times likened to “being in love for the first time, in musical form—that kind of rush,” the album’s more experimental and adventurous tracks shine just as brightly. The fruits of Champ’s hard labor combined with intriguing hints at that band’s future musical excursions make tracks like “Gone” and “Not Sick” essential listening. The former was the result of a summer-long weekly songwriting challenge between Dave and Graham that was never intended to yield music for the LP, he explains: “First thing every morning we had to write a little song and record it to send to the other. The only rule was that it had to be entirely on the spot. So one Wednesday I came up with ‘Gone’ and it grabbed Graham enough to bring it to the band. What we came up with almost didn’t make sense—the different parts, the strange time signature—until Greg came in with his contribution: a beat that made everything fall together really naturally and easily. And suddenly it was a song. And ‘Not Sick,’ for whatever reason, was the hardest song we ever had to do.”
|Format||LP, 180 Gram|
|Label||Dine Alone Records|